That Ten Albums Meme

For a while now, I’ve been seeing a meme popping up on BookFace and other social media:

List 10 albums that made a lasting impression on you as a TEENAGER, but only one per band/artist.

This came up in a conversation the other day, and I spiraled out, because that’s what my brain does when I start thinking about music. I spent several hours compiling (and repeatedly revising) my own list of albums.

These aren’t all necessarily from my teen years though- I chose to go a slightly different direction, listing albums that were very influential to me throughout my formative years. Each of the titles listed was important to me for different reasons during the parts of my life where I was learning who I am. The oldest album on the list was released when I was two years old, although I didn’t hear it until I was a teenager. The newest release on the list came out in 1999, roughly a month after I finished off my bachelor’s degree. Here they are in release order:

Alice Cooper - Welcome To My Nightmare album cover

Alice Cooper – Welcome To My Nightmare (released March 11, 1975) – By the time I finally heard this album for the first time, I had already graduated high school. This album marked the first time I’d ever heard a song with my name as the title.

That song, “Steven,” is part of a trio of songs that tell a story end to end, in a really fascinating way. I’m also a big fan of Vincent Price’s cameo in the song- to borrow a line from Dana Gould, “he’s my favorite everything!

Styx - Kilroy Was Here album cover

Styx – Kilroy Was Here (released February 22, 1983) – In 1983, “Mr. Roboto” was all over the radio, and the sound of it had a sci-fi aesthetic that absolutely appealed to ten-year-old me. This album was released three months before Return of the Jedi hit theaters for the first time, and I was incredibly jazzed for both.

Kilroy Was Here was the first time I had ever really been aware of an entire album having a single story to tell. You never forget your first concept album. The different members of the band play specific characters in the story, and I just thought that was amazing.

I also have a favorite “my brother did that” story about this song- I had been using my little tape recorder, pulling it to the television or the radio to collect the songs that I liked- a precursor to the mix tapes I made later on. One night while my family was gathered together for dinner, I held my trusty tape recorder up to the television while they played the video to Mr. Roboto on “Solid Gold.” About two-thirds of the way into the video, my brother exclaimed, “I finally understand this song.” This was the only version of Mr. Roboto I had on tape for years to come.

Depeche Mode - Some Great Reward album cover

Depeche Mode – Some Great Reward (released September 24, 1984) – While my favorite Depeche Mode album is actually 1990’s Violator, Some Great Reward was my first DM title, and my first exposure to an entire genre of music.

It was in a classroom- I don’t even remember which one now. I don’t remember the name of the guy who first let me hear Depeche Mode on his walkman, but I still remember his spiked up black hair and his so-shiny patent leather boots. He was the first of many, many, many friends who listened to goth, industrial, synthpop, post-punk, and electronic music. He had tapes for his Walkman tape deck with Depeche Mode, The Cure, The The, and a few others. (Side note: Try searching for “The The” in most search engines. Without qualifying words like song titles, it’s an exercise in frustration.) He let me listen to a few songs from this album and I was hooked- and Depeche Mode went into my mental playlist forevermore.

Weird Al Yankovic - Dare To Be Stupid album cover

Weird Al Yankovic – Dare To Be Stupid (released June 18, 1985) – Needless to say, I was already a Weird Al fan when Dare To Be Stupid dropped into stores. Ironically, it was Al’s originals that brought me to his fandom, not his parodies.

I spent my middle school days waiting in the lunch line with Brian and Phil, singing all the songs from “In 3-D,” especially Midnight Star and Nature Trail To Hell. When I got my copy of Dare To Be Stupid, I immediately gravitated to Slime Creatures From Outer Space, This Is The Life, One More Minute, and of course Yoda. To this day, Dare To Be Stupid is a regular feature during my karaoke nights, and I’ve seen Weird Al live several times. The most recent live Weird Al show I attended was just last summer, thirty-five years after the first time I heard one of his amazing polka medleys.

Information Society - Information Society album cover

Information Society – Information Society (released June 21, 1988) – When InSoc dropped their self-titled album, I was regularly attending parent-mandated group therapy, and I listened to this tape over and over again while driving to and from the doctor’s office where my therapy was held.

I practically wore out the tape- I already knew that I loved electronic music, and the theatricality of Kurt Harland, Jim Cassidy, and Paul Robb immediately caught my attention.

It took almost another three decades before I was finally able to see them live- partly because the band broke up after the third album. I purchased every one of their albums, including 1997’s “Don’t Be Afraid,” which was released by Kurt Harland without the rest of the group.

The band members went on to do their own things for a while: Harland writes music and does audio engineering for video games, Cassidy is faculty at Oregon State University, and Robb continued to make music without the Information Society name. They reformed the band in 2006, and I was finally able to catch them live a few years later. I’ve seen them three times now, twice by flying to a show in another state, and it’s a great show every time.

Cyndi Lauper - A Night To Remember album cover

Cyndi Lauper – A Night To Remember (released May 9, 1989) – While “She’s So Unusual” is more widely known (and has bigger sales numbers), A Night To Remember is the album that locked me in as a Cyndi Lauper fan.

This album was originally supposed to include “Hole In My Heart (That Goes All The Way To China)” from the movie soundtrack of Vibes, but when the movie didn’t do well they reworked it. Several of my favorite Cyndi Lauper songs were hilariously never on any of her albums.

In any case, the summer of 1989 was the summer before my senior year of high school, and the music on A Night To Remember spoke to my nascent longing and romanticism in ways that no other music had before. Plus the drums in “I Drove All Night” really slap.

Prince - Batman album cover

Prince – Batman (released June 20, 1989) – The summer of 1989 saw the release of the first Michael Keaton Batman movie. I had a job that summer as a dishwasher in a Wag’s Restaurant- they no longer exist, and the location where I worked in the River Bridge shopping center in Lake Worth is an IHOP these days.

That summer, I had a Walkman and a bag full of cassette tapes. I would spend time with my high-pressure water spray, and Prince. Or Paula Abdul. Or Cyndi, from the last album I mentioned. Or even Milli Vanilli, before they were discredited.

I’ve been a fan of Prince ever since the first time I heard his music, but when he did the soundtrack to a comic book movie, two of my favorite things in the world commingled. This album is also the source of a joke that I listened to hundreds of times before finally getting it one random afternoon just a few years ago. Yes, it took me nearly thirty years to grok the punchline of this joke. And no I’m not going to tell you which joke.

Erasure - Chorus album cover

Erasure – Chorus (released October 14, 1991) – I’ve seen Erasure in concert several times, and while my favorite Erasure tour was absolutely the amazing Nightbird tour around 2005, that wasn’t my favorite album from Andy Bell and Vince Clarke. That honor belongs to Chorus.

This album just saw a thirtieth anniversary release, not in the United States of course, with remasters of the original ten songs, a second disc of remixes, and a third disc containing the entire album performed live in Manchester from 1992. Of course I lapped up the entire thing- Chorus was the soundtrack to my 1992, end to end. The number of memories I have pertaining to people and places around this album cannot be counted. To this day, “Am I Right” is a song that I hum to myself whenever it rains. (Unless I’m singing that other song about rain, that is.)

Toys - Music from the Original Motion Picture Soundtrack album cover

Toys – Music from the Motion Picture Soundtrack (released December 15, 1992) – I don’t get to talk about it much these days, but my first job ever was at a movie theater. Over the years, I’ve worked at five different movie theaters, and in 1992 I was working in a theater that played Toys.

This brilliant Robin Williams movie contained a fantastic cast. (To this day, some of my electronics are named after Joan Cusack’s character.) The soundtrack includes some of the most original and creative music I’ve ever heard, including a few tracks that I go back to over and over again throughout the years. I’m especially fond of “The Closing of the Year,” featuring Wendy and Lisa (who are themselves better known for being part of Prince’s band The Revolution.) I tend to spin up that song on New Year’s Eve, in a sort of personal musical tradition.

I’ve found that a well-curated movie soundtrack can be a thing of beauty and wonder, and this is one of my favorites. (See also: Cool World, The Crow, Mortal Kombat — amazing soundtracks, all.)

VNV Nation - Empires album cover

VNV Nation – Empires (released in 1999 in Europe, and May 16, 2000 in the US) – While I was a University of Central Florida student in Orlando, there was a stretch of time where I was going out dancing five nights a week. I had a tremendous rotation of clubs that simply is not possible in the city now.

The amazing Embassy Music Hall is a fricking Wal-Mart Grocery now. I can’t remember precisely where Club Zen was, but I think it’s currently called the “Tequila Lounge Club.” Cairo was downtown but it’s not there anymore. The Blue Room? That’s gone too. The only one of the original clubs from that time still standing is Barbarella, which was renamed the Independent Bar and now only has the kind of music I want to dance to once a month, stupidly always on a Monday.

In late 1999, I had just completed my degree, and I was forced to move back to South Florida even though I didn’t want to leave Orlando. VNV Nation was already well played in the kinds of clubs I went to, but when this album dropped, their music was suddenly everywhere. It was the first album in quite a while that I could listen to end-to-end without feeling the urge to skip to something else. For a span of several years in the early 2000s, this type of music- EBM and synthpop- was my most listened to genre. At a time where I was sort of adrift, many of these songs soothed me in a way that I could never really articulate. Even today, when the mood is just-so, this is the kind of music I seek out.

I realized while I was writing this post that with the exception of the soundtrack to Toys, I’ve seen the artists of the other nine albums live. All of them. Most of them I’ve seen more than once. I find that kind of remarkable, but also not very surprising.

Also, I came up with a smaller list during the making of the list above which contains five much more recent albums that I enjoy enough to listen to end-to-end. Just for giggles, here’s those five with absolutely zero additional commentary:

1. Muse – The Resistance (2009)
2. Taylor Swift – 1989 (2014)
3. Peter Cincotti – Metropolis (2012)
4. The Greatest Showman (2017)
5. Alice Merton – Mint (2019)

I listed ten of my most influential albums in this post. Now tell me one of yours!

11/52

Willie Dixon’s Blues Heaven Foundation

Last April, I was in Chicago for a few days and I had a chance to swing by one of the holy places of music: Chess Records.

To be more accurate, I visited Willie Dixon’s Blues Heaven Foundation, which is dedicated to the preservation of the history of blues music. The Blues Heaven foundation lives in the former site of Chess Records.

Chess Records was founded in 1950, and was located initially at several different locations. The main offices moved to 2120 S. Michigan Ave around 1957, staying there until 1965. Chess Records is where Chuck Berry recorded Johnny B. Goode. Muddy Waters, Bo Diddley, Howlin’ Wolf, John Lee Hooker, Memphis Slim, and some other lesser-known acts like the Rolling Stones recorded there.

There is still a functioning studio in the building- Chess Studios continued beyond Chess Records, and the Rolling Stones and other bands also recorded here. Marie Dixon, Willie’s widow, purchased the building in 1993 and reopened it a few years later as the Blues Heaven Foundation. The Blues Heaven Foundation does four tours a day from Tuesday to Saturday. The tours are inexpensive and well worth a look. While you wait for the tour to start, there’s a gallery filled with artifacts that will fascinate anyone who loves the blues.

The red dress in the gallery above was work by Koko Taylor, often referred to as the Queen of the Blues. Willie Dixon brought her to Chess Records in 1964, where she recorded Wang Dang Doodle. Here’s a slightly more recent recording of Koko just killing it live.

I happened to be there on an auspicious day- the Blues Foundation was opening a new exhibit about the blues festivals that Willie Dixon organized in Germany throughout the 1960s The gentleman in the hat in this photo is the son of Willie Dixon, on hand for the opening of the new exhibit. If I remember correctly, the other fellow was a representative from the German embassy.

Finally, it was time for the tour!

The absolute highlight of the tour was spending time in this room- the main studio. Countless legendary recordings were made here, like this one:

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Music History*: Notes (both Major and Minor) from my childhood

As far back as I can remember, I’ve always liked comic books. When I was growing up, there were always comics around- old tales of the Green Lantern Corps, silver-age Superman stories with Jimmy Olsen, and even some Legion of Superheroes stories with Cosmic Boy, Lightning Lad, and Saturn Girl.  The Greatest American Hero hit television when I was eight years old, and it was a foregone conclusion that I’d love it.  With my nascent love of music already running strong,  I also loved the theme song by Joey Scarbury.  I remember sitting on the end of my mom’s bed, singing along to the song on the radio.  Mom was super amused that I knew all the words.


Along with my love of superheroes, I have a long-standing fondness for all things Disney.  One of my earliest Disney Music loves was the Main Street Electrical Parade.  This goes beyond mere Disneyana. I used to have a tape of a 1983 album by Michael Iceberg, the composer of the theme, with all kinds of neat stuff like a Robot Revolt theme.  One year, Michael Iceberg brought his pyramid-shaped synthesizer cubicle, the Amazing Iceberg Machine, to the South Florida Fair.  I got to meet the man after the show, and I remember someone commenting that he was spectacularly drunk at the time.  In any case, the original parade is long gone from Disney, but the music lives on as an amazingly persistent earworm. Mua ha ha!


Speaking of all things Disney, let’s talk about EPCOT.   When I was ten, my dad drove both of us up to Orlando one weekend to go to the theme park for the first time.   I brought back two souvenirs from that trip. The first was a brochure book about the park, detailing all of the pavilions, including the still unopened Horizons (coming soon!) and also detailing the planned but never built World Showcase pavilions for Israel, Spain, and Equatorial Africa.

The second souvenir from that trip was The Official Album of Walt Disney World EPCOT Center.  On vinyl.  I listened to that thing so much it’s a wonder the grooves didn’t flatten out.  I can still sing large swaths of the original music from memory, and the vocals in the American Pavilion song “Golden Dream” are directly responsible for an ill-fated and poorly considered audition for the Voices of Liberty that I may or may not have attempted in the early 1990s.

Some of the album is very, very dated – “The Computer Song” specifically comes to mind- but I will always love it anyway.  “Makin’ Memories” is another long-time favorite, left over from the early days of EPCOT when the pavilions were all sponsored by corporations.  See if you can guess which mega-corporation sponsored this one:

As an aside-  anyone who has ever gone on Journey Into Imagination with me can attest that I will always-and-forever sing the ORIGINAL version of Dreamfinder and Figment’s song, very very loudly, over the current iteration.


I’m skipping around my personal timeline a little bit, but I wanted to talk about 8-track recordings.  When I was a wee lad, cleaning day was a family affair.   We had an 8-track player in the living room, and we got those Columbia House shipments of new titles every so often.  On family house cleaning days, we’d fire up the stereo, throw a tape into the 8-track player, and everyone in the family would pitch in to clean the house.

I suspect that a hefty percentage of my readers have probably never heard an 8-track tape, so you may not know that an 8-track splits the album up into four sections. Our player had no fast-forward or rewind, but you could switch between the four tracks, and the music would loop.   If you let it play all the way through, our player would automatically switch from track to track in sequence.   It’s because of the 8-track of the original Star Wars soundtrack that I whenever I hear The Cantina Band theme by John Williams, I expect to hear a fade-out, track change, and fade-in at roughly the middle of the song.  That’s what it did on the 8-track.  You can hear the fade-out at one minute and 40 seconds in the video below.

Here are samples of other artists that twisted the mind of proto-Steven from cleaning day 8-tracks- The Lettermen (Put Your Head On My Shoulder), Neil Diamond (America, September Morn), and John Denver (Country Roads, Thank God I’m A Country Boy).

(I just know I’m gonna get flack for the John Denver tunes.)

What music do you remember listening to with your family?

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____

*This post is the second in a series on music throughout my life.  Part one is here.

Music History: Firsts

I love music.

This may be the most understated thing I will say all year.   Long-time readers of this blog probably figured out a long time ago that most of my non-work trips start with me going, “Ooh, a concert I want to see!”    I’ve talked a great deal about music on this blog already- I’ve talked about They Might Be Giants, and Leonard Cohen, and Eurovision.   I ‘ve posted about musicals in general, and about Starlight Express and A Chorus Line in particular.   I’ve also talked about my first ever concert (New Edition), and about my memories of the Ghostbusters soundtrack in that glorious red plastic Arista case back in 1984.

And of course there’s a page on this blog that I keep updating to show the artists that I’ve seen play live.

I’ll say it again:  I love music. I need music.  If I don’t listen to music for a while, I can get downright cranky.  It’s as vital to me as breathing, and I go to concert after concert after concert for the love of music, even though I hate crowds and I have a fair amount of travel anxiety.  I can’t not go. (FOMAC, or Fear of Missing a Concert, is an entirely different blog post that I may come back to later.  Shut up, it’s a real thing!)

With that introduction in mind, I want to talk about music throughout various parts of my life.  I’ll start at the very beginning.

My earliest memory of music, any music, was all the way back in 1978.  I was five years old, and I remember being in some sort of a school or daycare center or something along those lines- it wasn’t a usual place for me.  I was waiting near some other kids while we picked up one of my siblings. The kids I was hanging out near were playing with original first-generation Star Wars action figures. I remember they made me be C3PO. While we played with the Star Wars toys, there was a radio on.

There were two songs in heavy rotation on the radio at that time, and they were the first songs to ever penetrate my tiny little head.  Barry Manilow’s “Copacabana,” and John Paul Young’s “Love Is In The Air.”

Those two songs played back to back. I can’t remember ever hearing music before that day. I’m sure I did, but I don’t remember it.

I also recall the very first album that I ever owned.  When I was ten years old, there were advertisements in the back of comic books that said that if you sell stuff from their crappy catalog, you could win prizes.  This company sent an army of tiny Willy Lomans (Lomen?) door to door to sell magazine subscriptions, Christmas cards, pecan turtles, and wrapping paper.  With enough sales, you could get yourself a tent, a bicycle, or any number of other “fabulous prizes.”  It took a hell of a lot of sales to get anything substantial, but in 1983, I used my hard-earned prize bucks to get a voucher for a cassette tape from one of those music places like Columbia House or BMG, only not quite as obnoxious. That first album?  I was grooving to “Future Shock” by Herbie Hancock.

I had seen the video for Rockit, of course, and the kicking-pants robots made me want to dance.  Or something.  The entire album turned out to be really phenomenal, but I didn’t appreciate it nearly as much in 1983 as I do now.

My mom got me the second album I ever owned- we were in a Richway, which was sort of like the larval form of the retail chain now known as Target.  Richway’s parent company sold all of their stores to Dayton-Hudon Corporation around 1988, and that company closed all the stores, stripped them for parts, and then reopened most of them as Target stores.  The specific Richway from this story is actually some other non-Target store, according to Wikipedia.

But I digress.   We were in Richway, in West Palm Beach, Florida, in 1984.  It was an amazing day for eleven-year-old Steven because not only did I get my first transforming toy there, a red Gobot sports-car named Turbo, but  Mom also bought me a cassette of Rockwell’s first album.   Again, I was familiar only with the first single released, a popular song called “Somebody’s Watching Me,” which had Michael Jackson on backup vocals. The rest of the album was a lot of fun, though, and I still listen to it sometimes.  “Obscene Phone Caller” was always one of my favorites songs, even though it would be years before I actually understood how pervy the song really is.

What was your first album?  Your first concert?  The first song you remember hearing?

5/52

I’ve got a song in my heart. Or something.

On Friday night, I watched the movie adaptation of the musical Cats. A great deal of the Internet has already made fun of this psychedelic oddity of a film adaptation, but I actually kind of loved it.  I think it was a pretty decent stage adaptation, despite Taylor Swift adding a new song to it for some reason.  It definitely had some oddities, like some of the cats having sneakers or tap shoes or even fur coats, which is a weird thing for a cat to wear.   Here are a couple of choice Twitter post observations, before we move on:

Getting back to my original point- I was always going to love the Cats movie, because I’m an unapologetic musical theater geek. Always have been, and always will be. I’ve been listening to (and occasionally seeing) musicals for as long as I’ve been aware of them. I saw A Chorus Line at the end of its decade-busting run at the Schubert in New York City back in the 80s. I’ve seen Wicked enough times and in so many different cities that I’ve actually lost count. I’ve been a season subscriber to local theaters a few times now, and it’s a wonder that I didn’t major in musical theatre.

There are a LOT of stage musicals that have been made into movies. Don’t believe me? Go look up “movies of musicals” on Google. I’m not going to cover even a fraction of them here, just a few that have my attention right now. I’m also leaving out musical movies that were not originally stage shows at all, such as The Greatest Showman – that’s an entirely different post.

I’m sure that everyone who leaves a comment on this post will have some thoughts about musicals I’ve missed. Here are my thoughts on a few of them.

Little Shop Of Horrors
I love Little Shop. This has long been one of my all-time favorite musicals. So much so that I own three different variants of the soundtrack- the movie, the original broadway, and the recent revival. I even saw this in German while I was in Germany- hearing the same songs with lyrics auf Deutsch was fascinating.

The movie adaptation of Little Shop committed two sins, though. The first sin: It added a song to the movie that wasn’t in the stage show. This wasn’t too bad though, because the song was “Mean Green Mother,” which is hilarious and fun. The other sin, the more egregious mortal sin, is that the movie was unnecessarily given a happy ending when the stage show (and the original Jack Nicholson black and white movie, for that matter) don’t have happy endings. Still, this is a great movie adaptation. Plus, it has a bonus fun bit with Bill Murray that is entirely pointless, but still great fun.

West Side Story and Guys and Dolls
I can’t ignore the older musical movies – I love many of the “classic” movie musicals, and there are a great many: Kismet, Bells Are Ringing, My Fair Lady, and two of my long-time favorites, West Side Story and Guys and Dolls.

West Side Story is such a delight that I can’t even relate the sheer number of times that it’s filtered into other pop culture or been an integral part of a joke. Plus this musical is why all the gangstas in Michael Jackson’s “Bad” video were such accomplished dancers.

As for Guys and Dolls, the movie is 65 years old but it still holds up, with Brando, Sinatra, and a fantastic supporting cast. Stubby Kaye sings one of my favorite songs from the entire musical:

A Chorus Line: The Movie
A Chorus Line is so very, very, very dated. The original stage show holds up much better because it gets occasionally updated. The movie version, on the other hand, is pure 1985 cheese with regard to instrumentation, arrangement, and dancing styles. Add to that the venial sin of adding a song that isn’t in the original stage show, and you have a movie that is absolutely terrible.   The added song is so ear-wormy that it quickly became my favorite song in the movie, despite my previous complaints about movie-musicals that add a song just for the movie. I’m fickle and complicated; sue me.

Phantom Of The Opera
I wanted to love this because the stage show is amazing.  The movie got the look spot on- the staging, the costumes, the orchestration- everything was perfect. Except for Gerard Butler. Why did they have to cast someone as the Phantom who makes me want to stick needles in my ears every time he opens his mouth? This musical movie adaptation would have been perfect if Butler had never opened his trap.

Rent
My only complaint about the movie adaptation of Rent is that the stage show has some grit to it, and the movie is so polished that it felt like an MTV video of the stage show. They get bonus points for pulling in many of the original Broadway cast actors for this one, and when they did bring in new talent, it was a good fit. Rosario Dawson and Tracie Thoms both did really excellent jobs with their songs, and I have no complaints.

Sweeney Todd: The Demon Barber Of Fleet Street
When I saw that they were making a movie of this, I was ecstatic. Then I saw they were casting Johnny Depp as Sweeney and I was distraught. I love Avenue Q. I adore Wicked. But Sweeney Todd may be my all-time favorite musical. Especially the original Len Cariou/Angela Lansbury version.  (Bonus geek trivia: Len Cariou, the original Sweeney, played Janeway’s father in one episode of Star Trek: Voyager. True story.) I love Sweeney Todd so much that I was horrified at what might happen with Depp in the lead. I wasn’t sure if he could sing, and it reeked of stunt casting.

I had nothing to fear though- I was in the audience opening weekend, and my row-mates actually caught me squeeing a number of times- Depp and Helena Bonham Carter both did an amazing job. And I found, to my delight, that this was the single best movie adaptation of a musical I had yet seen. It was faithful enough to the stage show that I didn’t feel like it was needlessly truncated, and the entirety of it was pitch-perfect in every way.  Pun only mildly intended.

It’s also the only time I’ve seen Sacha Baron Cohen in any role without getting irrationally snarky and irritated. Make of that what you will.

This one made me very, very happy.

Into The Woods
The wonderful job they did setting this one to film made me very happy, and it gave me optimism that they will eventually do a good film adaptation of Wicked, since both have a similarly fantastical world to set up. Into The Woods had an all-star cast, and I’ll even forgive them for letting Meryl Streep get away with talk-singing her way through most of her bits instead of really singing. Honestly, I still think they should have just gotten Bernadette Peters to reprise her stage role for the film. I know she was 65 when they made this movie, but she looks younger than me. She would have been perfect. Even with that newbie Meryl in the role of the Witch, the movie version of this show was incredibly well done.

Before I wrap up this post, I wanted to mention a bit about the reverse- movies that have become stage shows, against all odds and better judgement. Especially since many of these were not musicals to begin with. Turning non-musical movies into musicals has been a big trend lately, with Mean Girls and Legally Blonde both becoming really popular as stage musicals.

I’m completely ignoring all the Disney broadway adaptations. They’re usually pretty good, and they find little ways to improve on the original cartoon versions, but I still feel like a Disney Broadway show based on a cartoon musical is a bit of a cheat.
I’m also disregarding Spamalot, because although it’s mostly Holy Grail, it goes way off track in bizarre ways. I’m just going to talk about four here:

Xanadu
This had great potential to be wonderful.  I love the original film it was based on. Regrettably, they really changed the tone and style of the music to make it a stage show, and they camped it up even more than the original movie. I wanted to love this, but I find myself only mildly digging it. Alas.

Heathers: The Musical
I absolutely love this one.   I appreciate how much of the original score was incorporated into the original music for this one. The original cast recording’s Barrett Wilbert Weed does a great job of sounding like Winona Ryder while still also making the role entirely her own. (She went on to grab a part in the Mean Girls musical after this.). Ultimately, Heathers: The Musical does the thing that every musical WANTS to do: it gets stuck in your head and has you humming the songs after you’ve left the theater.

Evil Dead: The Musical
Evil Dead: The Musical is really brilliant. I still haven’t ever managed to see a live show of it, but I very much want to. With song titles like “Do The Necronomicon,” “What the Fuck Was That,” “Boomstick,” and “Blew That Bitch Away,” how could you not love this?

Silence! (The Silence Of The Lambs Musical)
Yes. They really made a musical out of this. Last time I looked into it, Silence! was just a concept album really, but since then it’s been performed numerous times in different cities. It’s kind of amazing and kind of hilarious… The music is a lot of fun.

…and last, but not least…

The Last Starfighter
I wish I’d been able to fly to New York to see this when it was open. It’s only been done in short bursts, but that’s probably a good thing. I love the original movie- it’s a huge part of my childhood. This musical…. well, it disappoints in almost every conceivable way. I actually bought the soundtrack to the musical with high hopes, and they were shattered on the very first listen. They didn’t even try to work in Craig Safan’s amazing score.  This is honestly completely terrible, but I still really want to see it someday.

As you can imagine, I could have written pages and pages more about musicals in film or films that have become musicals, but I had to stop somewhere.

What are some of your favorite musicals, whether they be on stage or on the silver screen?

2/52