I love cover songs. If any artist has an interesting or entertaining version of someone else’s music, then I’m generally down for it. My personal music collection contains something like 1500 cover songs from different artists.
I especially love when a cover is so good that it becomes the more well-known version, and the fact that it was sung previously by another artist becomes a matter of trivia. A great example of this is “Istanbul (Not Constantinople).” I became acquainted with this song originally as the version from They Might Be Giants, on their 1990 album Flood. The original is a 1953 track by The Four Lads.
Sometimes, if I’m not in the mood for something specific, I’ll just fire up a good old fashioned shuffle play. My continuing adventures in shuffle-play recently served up the Worst Cover I’ve Ever Heard™. I do not use this label lightly. I’ll forgive a lot, with the possible exception of covers of Leonard Cohen’s Hallelujah- none of them get it right. Sometimes a cover misses greatness and it’s just sort of okay- this was not that. This cover is actively, horribly terrible.
I’m not making this up. And those of you who’ve known me for a while know that because I’m fond of covers. I love the hell out of all kinds of covers, even the covers that make purists run away, climb trees, and gibber.
The band was called Apocalypse Theatre, and they produced two albums between 1998 and 2002. They still have an active FaceBook presence, although I haven’t been able to find any new music by them after 2002. I remember thinking at the time that most of their music was fine, a sort of industrial-with-a-side-of-noise aesthetic. They reminded me a bit of Android Lust, only not as danceable.
I remember it very clearly- I was sitting out on the back patio happily talking with friends when they played The Cover. I didn’t even notice it at first- It was so, so bad that they were a good two minutes or so into the song before I even realized what it was. When I noticed it, I stopped, flabbergasted. Then I ran into the interior of the club to hear the rest.
It was so amazingly bad that I bought the unlabelled cassette they were selling for $8, hoping like hell that the song would be on it. By the way, this show occurred well after the compact disc was commonplace, but they were still selling tapes.
The tape did have the Worst Cover I’ve Ever Heard™. Years later, I took the time and effort involved to move it from cassette to mp3. Now I’m sharing it with you. Apocalypse Theatre’s finest work. The Worst Cover Song Ever.
I deliberately encoded this without the song title, because I want to see how long it takes each of you to figure out what the song is. ::evil grin::
If you figure it out right away, please, please, please don’t answer in the comments. I don’t want to deprive anyone of their chance to puzzle through this for the first time. If you’ve listened, and you still haven’t figured it out, I put the answer over here. Oh, and the rest of their stuff is over on Spotify, and it’s worth a listen.
Provided this one track hasn’t shaken you to your core, that is.
I watch a lot of television. Because of that, I see a lot of commercials. Over and over again, I see the same commercials. Little by little, they drill their way past my disinterest to lodge brand names in my forebrain.
The worst of them are the drug commercials, with their happy people living happy lives. It’s rare that you can actually tell what condition a drug treats from the commercial alone- there’s a lot of couples walking on the beach, a lot of people playing with their children, a lot of people biking and hiking and dancing.
The mystery of what the drugs are for isn’t what got my attention though, it’s the names of the drugs. The names in these commercials are so multisyllabic and ridiculous that I started to play a little game with myself: Is this a drug from a pharmaceutical commercial, or an alien race from science fiction?
I think this is really funny, so I started to keep a list on my phone. I got this far along before I stopped:
The really ridiculous part is that I made this list a few months ago, and I’ve actually forgotten some of the alien species I added to the list.
My previous post about London led to a conversation with a friend about London, and I wanted to look at the pictures I posted in my blog post about the London Film Museum. When I went to look for the post, I discovered to my vast surprise that I never wrote a post about the London Film Museum, I only wrote a paragraph in one of my previous London posts. In August of 2012, I said the following in a longer post about London:
I quite enjoyed the London Film Museum, which had a lot of neat stuff, including Daleks, a TARDIS, the superman suit from Superman Returns, the Batman Begins batsuit, and a large variety of props from other movies. There was an entire room of Harry Potter stuff, and a large exhibit dedicated to Ray Harryhausen, including a full sized original Bubo. This was a highlight for me.
That’s it- just that one paragraph. All the pictures I took at the museum, which I thought I had posted years ago, were still unshared. I will now correct that oversight.
When I visited the London Film Museum, it was in a section of County Hall, right near Westminster Bridge, close to the London Eye along the Thames River. I have since learned that it moved to a location in Covent Garden in April of 2012- my visit was in July of 2012, so I suspect the museum was still moving, and I saw only a fraction of the entire exhibit. What I did see was pretty dang cool though.
Harry Potter props and costumes- A variety of items were present here, including some costumes, the Tri-Wizard cup, and Harry’s Nimbus 2000.
Star Wars stuff – London is the home of Pinewood Studios, which has been a production facility for most of the Star Wars films. There were a few Star Wars artifacts on hand during my visit. I saw much more at the Star Wars exhibit in Tokyo a few years later.
Alien – They had a sculpture of a Xenomorph and some facehuggers from the Alien franchise.
Doctor Who – A film museum in England would naturally have some Doctor Who items. Not as much as the Doctor Who Experience in Cardiff, but still- a Tardis and a handful of Daleks were still neat to see.
Superman and Batman – Pinewood has a long history with DC Comics, and there weer a number of Superman and Batman artifacts on hand. First up, some costumes!
Next, we have part of the ship that brought Kal to earth in Superman (1978) and a newspaper from Superman II.
Braveheart, Hellraiser, and various animation – The Dangermouse cardboard stand was my favorite in this part.
The Ray Harryhausen Exhibit – This was my favorite part, to be honest- they had a special exhibit in plae called “Ray Harryhausen: Myths and Legends.” It contained various items from Harryhausen’s stop-motion work, but I was most interested in the Clash of the Titans items, particularly the full-sized Bubo the Owl!
Have you ever been to a film museum? What’s your favorite prop that you’ve seen in person?
For a while now, I’ve been seeing a meme popping up on BookFace and other social media:
List 10 albums that made a lasting impression on you as a TEENAGER, but only one per band/artist.
This came up in a conversation the other day, and I spiraled out, because that’s what my brain does when I start thinking about music. I spent several hours compiling (and repeatedly revising) my own list of albums.
These aren’t all necessarily from my teen years though- I chose to go a slightly different direction, listing albums that were very influential to me throughout my formative years. Each of the titles listed was important to me for different reasons during the parts of my life where I was learning who I am. The oldest album on the list was released when I was two years old, although I didn’t hear it until I was a teenager. The newest release on the list came out in 1999, roughly a month after I finished off my bachelor’s degree. Here they are in release order:
Alice Cooper – Welcome To My Nightmare (released March 11, 1975) – By the time I finally heard this album for the first time, I had already graduated high school. This album marked the first time I’d ever heard a song with my name as the title.
That song, “Steven,” is part of a trio of songs that tell a story end to end, in a really fascinating way. I’m also a big fan of Vincent Price’s cameo in the song- to borrow a line from Dana Gould, “he’s my favorite everything!“
Styx – Kilroy Was Here (released February 22, 1983) – In 1983, “Mr. Roboto” was all over the radio, and the sound of it had a sci-fi aesthetic that absolutely appealed to ten-year-old me. This album was released three months before Return of the Jedi hit theaters for the first time, and I was incredibly jazzed for both.
Kilroy Was Here was the first time I had ever really been aware of an entire album having a single story to tell. You never forget your first concept album. The different members of the band play specific characters in the story, and I just thought that was amazing.
I also have a favorite “my brother did that” story about this song- I had been using my little tape recorder, pulling it to the television or the radio to collect the songs that I liked- a precursor to the mix tapes I made later on. One night while my family was gathered together for dinner, I held my trusty tape recorder up to the television while they played the video to Mr. Roboto on “Solid Gold.” About two-thirds of the way into the video, my brother exclaimed, “I finally understand this song.” This was the only version of Mr. Roboto I had on tape for years to come.
Depeche Mode – Some Great Reward (released September 24, 1984) – While my favorite Depeche Mode album is actually 1990’s Violator, Some Great Reward was my first DM title, and my first exposure to an entire genre of music.
It was in a classroom- I don’t even remember which one now. I don’t remember the name of the guy who first let me hear Depeche Mode on his walkman, but I still remember his spiked up black hair and his so-shiny patent leather boots. He was the first of many, many, many friends who listened to goth, industrial, synthpop, post-punk, and electronic music. He had tapes for his Walkman tape deck with Depeche Mode, The Cure, The The, and a few others. (Side note: Try searching for “The The” in most search engines. Without qualifying words like song titles, it’s an exercise in frustration.) He let me listen to a few songs from this album and I was hooked- and Depeche Mode went into my mental playlist forevermore.
Weird Al Yankovic – Dare To Be Stupid (released June 18, 1985) – Needless to say, I was already a Weird Al fan when Dare To Be Stupid dropped into stores. Ironically, it was Al’s originals that brought me to his fandom, not his parodies.
I spent my middle school days waiting in the lunch line with Brian and Phil, singing all the songs from “In 3-D,” especially Midnight Star and Nature Trail To Hell. When I got my copy of Dare To Be Stupid, I immediately gravitated to Slime Creatures From Outer Space, This Is The Life, One More Minute, and of course Yoda. To this day, Dare To Be Stupid is a regular feature during my karaoke nights, and I’ve seen Weird Al live several times. The most recent live Weird Al show I attended was just last summer, thirty-five years after the first time I heard one of his amazing polka medleys.
Information Society – Information Society (released June 21, 1988) – When InSoc dropped their self-titled album, I was regularly attending parent-mandated group therapy, and I listened to this tape over and over again while driving to and from the doctor’s office where my therapy was held.
I practically wore out the tape- I already knew that I loved electronic music, and the theatricality of Kurt Harland, Jim Cassidy, and Paul Robb immediately caught my attention.
It took almost another three decades before I was finally able to see them live- partly because the band broke up after the third album. I purchased every one of their albums, including 1997’s “Don’t Be Afraid,” which was released by Kurt Harland without the rest of the group.
The band members went on to do their own things for a while: Harland writes music and does audio engineering for video games, Cassidy is faculty at Oregon State University, and Robb continued to make music without the Information Society name. They reformed the band in 2006, and I was finally able to catch them live a few years later. I’ve seen them three times now, twice by flying to a show in another state, and it’s a great show every time.
Cyndi Lauper – A Night To Remember (released May 9, 1989) – While “She’s So Unusual” is more widely known (and has bigger sales numbers), A Night To Remember is the album that locked me in as a Cyndi Lauper fan.
This album was originally supposed to include “Hole In My Heart (That Goes All The Way To China)” from the movie soundtrack of Vibes, but when the movie didn’t do well they reworked it. Several of my favorite Cyndi Lauper songs were hilariously never on any of her albums.
In any case, the summer of 1989 was the summer before my senior year of high school, and the music on A Night To Remember spoke to my nascent longing and romanticism in ways that no other music had before. Plus the drums in “I Drove All Night” really slap.
Prince – Batman (released June 20, 1989) – The summer of 1989 saw the release of the first Michael Keaton Batman movie. I had a job that summer as a dishwasher in a Wag’s Restaurant- they no longer exist, and the location where I worked in the River Bridge shopping center in Lake Worth is an IHOP these days.
That summer, I had a Walkman and a bag full of cassette tapes. I would spend time with my high-pressure water spray, and Prince. Or Paula Abdul. Or Cyndi, from the last album I mentioned. Or even Milli Vanilli, before they were discredited.
I’ve been a fan of Prince ever since the first time I heard his music, but when he did the soundtrack to a comic book movie, two of my favorite things in the world commingled. This album is also the source of a joke that I listened to hundreds of times before finally getting it one random afternoon just a few years ago. Yes, it took me nearly thirty years to grok the punchline of this joke. And no I’m not going to tell you which joke.
Erasure – Chorus (released October 14, 1991) – I’ve seen Erasure in concert several times, and while my favorite Erasure tour was absolutely the amazing Nightbird tour around 2005, that wasn’t my favorite album from Andy Bell and Vince Clarke. That honor belongs to Chorus.
This album just saw a thirtieth anniversary release, not in the United States of course, with remasters of the original ten songs, a second disc of remixes, and a third disc containing the entire album performed live in Manchester from 1992. Of course I lapped up the entire thing- Chorus was the soundtrack to my 1992, end to end. The number of memories I have pertaining to people and places around this album cannot be counted. To this day, “Am I Right” is a song that I hum to myself whenever it rains. (Unless I’m singing that other song about rain, that is.)
Toys – Music from the Motion Picture Soundtrack (released December 15, 1992) – I don’t get to talk about it much these days, but my first job ever was at a movie theater. Over the years, I’ve worked at five different movie theaters, and in 1992 I was working in a theater that played Toys.
This brilliant Robin Williams movie contained a fantastic cast. (To this day, some of my electronics are named after Joan Cusack’s character.) The soundtrack includes some of the most original and creative music I’ve ever heard, including a few tracks that I go back to over and over again throughout the years. I’m especially fond of “The Closing of the Year,” featuring Wendy and Lisa (who are themselves better known for being part of Prince’s band The Revolution.) I tend to spin up that song on New Year’s Eve, in a sort of personal musical tradition.
I’ve found that a well-curated movie soundtrack can be a thing of beauty and wonder, and this is one of my favorites. (See also: Cool World, The Crow, Mortal Kombat — amazing soundtracks, all.)
VNV Nation – Empires (released in 1999 in Europe, and May 16, 2000 in the US) – While I was a University of Central Florida student in Orlando, there was a stretch of time where I was going out dancing five nights a week. I had a tremendous rotation of clubs that simply is not possible in the city now.
The amazing Embassy Music Hall is a fricking Wal-Mart Grocery now. I can’t remember precisely where Club Zen was, but I think it’s currently called the “Tequila Lounge Club.” Cairo was downtown but it’s not there anymore. The Blue Room? That’s gone too. The only one of the original clubs from that time still standing is Barbarella, which was renamed the Independent Bar and now only has the kind of music I want to dance to once a month, stupidly always on a Monday.
In late 1999, I had just completed my degree, and I was forced to move back to South Florida even though I didn’t want to leave Orlando. VNV Nation was already well played in the kinds of clubs I went to, but when this album dropped, their music was suddenly everywhere. It was the first album in quite a while that I could listen to end-to-end without feeling the urge to skip to something else. For a span of several years in the early 2000s, this type of music- EBM and synthpop- was my most listened to genre. At a time where I was sort of adrift, many of these songs soothed me in a way that I could never really articulate. Even today, when the mood is just-so, this is the kind of music I seek out.
I realized while I was writing this post that with the exception of the soundtrack to Toys, I’ve seen the artists of the other nine albums live. All of them. Most of them I’ve seen more than once. I find that kind of remarkable, but also not very surprising.
Also, I came up with a smaller list during the making of the list above which contains five much more recent albums that I enjoy enough to listen to end-to-end. Just for giggles, here’s those five with absolutely zero additional commentary:
1. Muse – The Resistance (2009) 2. Taylor Swift – 1989 (2014) 3. Peter Cincotti – Metropolis (2012) 4. The Greatest Showman (2017) 5. Alice Merton – Mint (2019)
I listed ten of my most influential albums in this post. Now tell me one of yours!
Last April, I was in Chicago for a few days and I had a chance to swing by one of the holy places of music: Chess Records.
To be more accurate, I visited Willie Dixon’s Blues Heaven Foundation, which is dedicated to the preservation of the history of blues music. The Blues Heaven foundation lives in the former site of Chess Records.
Chess Records was founded in 1950, and was located initially at several different locations. The main offices moved to 2120 S. Michigan Ave around 1957, staying there until 1965. Chess Records is where Chuck Berry recorded Johnny B. Goode. Muddy Waters, Bo Diddley, Howlin’ Wolf, John Lee Hooker, Memphis Slim, and some other lesser-known acts like the Rolling Stones recorded there.
There is still a functioning studio in the building- Chess Studios continued beyond Chess Records, and the Rolling Stones and other bands also recorded here. Marie Dixon, Willie’s widow, purchased the building in 1993 and reopened it a few years later as the Blues Heaven Foundation. The Blues Heaven Foundation does four tours a day from Tuesday to Saturday. The tours are inexpensive and well worth a look. While you wait for the tour to start, there’s a gallery filled with artifacts that will fascinate anyone who loves the blues.
The red dress in the gallery above was work by Koko Taylor, often referred to as the Queen of the Blues. Willie Dixon brought her to Chess Records in 1964, where she recorded Wang Dang Doodle. Here’s a slightly more recent recording of Koko just killing it live.
I happened to be there on an auspicious day- the Blues Foundation was opening a new exhibit about the blues festivals that Willie Dixon organized in Germany throughout the 1960s The gentleman in the hat in this photo is the son of Willie Dixon, on hand for the opening of the new exhibit. If I remember correctly, the other fellow was a representative from the German embassy.
Finally, it was time for the tour!
The absolute highlight of the tour was spending time in this room- the main studio. Countless legendary recordings were made here, like this one: